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Worth preserving. I like the part where he tells me to kill myself and implies that he?s been in my apartment.
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When you're in love with that special lady Sinister Rhythm Guitar Gemini Drums and Mastering Shadow63 Title, Lyrics and Vocals SpinDizzy Bass Guitar OceanGreen Keyboards and Mixing Offthewall Lap Steel Guitar
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Destination Unknown: AiryConnection: Music, Mix, Master Shadow63: Lyrics, Vocals
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If it's ass video night got y'all covered
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softie / Matthew Nenni 21 hours ago
lol, a lesson in integrity from my nephew demoboi. ya'll could learn a thing or two from my sweet little cherub prince: "Truthfully this post is plagerized It originated from this conversation I had with a friend of mine But this guy who posted here plagerized it And Attempting to take it out of context ( like all scammers do) Attempting to take credit of my comedic creative writing talents breaks all written and unwritten rules of artistic integrity Heres the original https://www.kompoz.com/music/community/a/1285791 This type of pagerism is an example of the Integrity this guy https://www.kompoz.com/music/artist/softie softie Matthew Nenni Mathew exhibits on a consistent basis.... this is unacceptable in our friendly trusting community remember in art integrity is everything and this person has violated that sacred rule repeatedly Be warned hes obviously a dishonest hombre with some type of dishonest agenda.. Scammers beware were on to you Quit stealing our writings i would repost this screen to show the community but il give this creep a chance to delete this and reconsider his actions .. cas im ez goin as most of you know from working with me.. those that dont.....im yer hucklbearer Bing baNg BoNg nostradumass * peace"
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Well... That should sound Irish somehow... ;) ( It was worth a try ;) Please have a look at the "Help wanted List"... Hope you like it ;)
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Many thanks to my fellow players for another excellent contribution in helping shape this little mishmash of chords. Phil(bassman78fr), Francois(Graiouf), Eric(Letchadrums), and Ana(Ana2022). Always appreciated!
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Space, time, nothing will keep me away from you as long as I have my old TELESCOPIO. Just finished. Would not be possible without such a talented team: dsilver - Daniele Silvestri drums MarioLicataBassist - Mario Licata bass Rbradley59 - Richard Bradley guitars EddieBlower - Eddie Blower harmonica ecopunk - Tim engineering mixing/mastering Best
The second song off my new album... One of the very few that it's fully uploaded on YouTurd. Be welcome to share your thoughts! Have a nice week!
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Jammin
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Just reviving older stuff. Lets work. https://kmpz.co/53af/5OXx/1
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Since the boys aren't sharing, I will! Massimo De Agostini marked this collab as finished today and it rips! Aggravation Massimo De Agostini John Heavern Danilo Iovino and Myself (but they really did all of the work ;)) I hope you all enjoy it! And, I thank you, guys, for inviting me to do this tune with you because I love it!!!
I'm looking for someone who either plays drums, bass, or does vocals..or all of the above, to collaborate on some music. I have a few riffs and ideas going. Just want a fresh perspective
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my nephew, demoboi, and i have lively debates about singing technique. he often asks "hey unk," he calls me unk, "how can i be as good a singer as you?" and i tell him "practice 4 times a day, my sweet prince, and you'll be the best on earth." this was his response: "4 ..? wonder what happens when ya do 7 .? i know... ya start complaining about your knee to everyone everywhere threating to tell on everyone and start buildin stoopd sht.tryin to tell yourself people still care but yea..no..we all dont. mr lonely....waaaawaaaa.."i cant participate.!!.''' lol ... perpetual karen x spaz... wanna know what happens at 10? yea you start tellin people about their wiennies.and pretending your some original dork musician on a higher plane when all ya are is the equivelent of a 10 year old first year guitar player..whisperin dumb meaningless babble.as if.? scrawney. DAHMER. cringe master and when ya hit 11 oh man ya really go off.. start believing your relevant again when you be nothing but an old GEEZER cryin in yer yogurt.and thinkin it tastes better nd stare at the ole geetar as if it was somthing you once loved but cant seem to pik up anymore cas its on the otherside of the room and ya aint got the energy to get outta the recliner.... mousey wait for it...5...4...3...its comin...2....and....... Bing baNG BoNg nostradumass *peace BEER ME ..old style please..)" i love my sweet nephew.
I found this silly meme really funny!
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We just finished ULTRA. It is the story of each of us, ordinary people doing extraordinary things daily while manage to get older and wiser. Hope you enjoy it as much as we did.
Oh man. I just took four gel tabs and I can?t stop thinking about this poem: I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul, I lean and loafe at my ease observing a spear of summer grass. My tongue, every atom of my blood, form?d from this soil, this air, Born here of parents born here from parents the same, and their parents the same, I, now thirty-seven years old in perfect health begin, Hoping to cease not till death. Creeds and schools in abeyance, Retiring back a while sufficed at what they are, but never forgotten, I harbor for good or bad, I permit to speak at every hazard, Nature without check with original energy.
Hey Kompoz community - Looking for lyrics/vocals on this one. Reach out if interested. The weather is crappy here. Back to the woodshed.
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This goes out to the audio engineers out there... So, while I have been a part of this community for about four months now, I am still figuring some stuff out. I have been going into the mixing process assuming that someone who says they can mix, can actually mix, thus not feeling the need to say anything about my feelings on mixing my vocals with autotune, vocoders, pitch correction, etc. My thoughts on autotune, vocoders, etc... I am not a fan, unless used properly, meaning, VERY minimally, so as to not even really notice it. Any great sound engineer will tell you that pitch correction should only be used sparingly and only if absolutely necessary. It should not even be noticeable in the mix. I am here to have fun and take pride in any finished collaborations I am a part of. If I sound like a robot or the notes I am singing are completely altered, I immediately become disconnected from the tune and bummed out. Making music is ALL feeling for me. Fuck it if there are some pitchy spots on a dry vocal sep. As long as the mix sounds good and everyone sounds like their hearts are in it, that's the sweet spot. And completely altering the notes I sing is a bit offensive to me. If you want something other than what I contribute, you could get anyone's vocal to change all the notes you want, but I'm really not okay with that. That said, I suppose I work best with people who play music that makes them feel something, over people who are strictly technical. I think the worst part is that instead of letting you know where you are off and giving you a chance to correct it yourself, many engineers just take the liberty of doing it themselves without even telling you, and that's just a shitty way to work with people if you ask me. I would never do that to any tracks that people contribute to my collaborations. If I can't fix it, and very minimal pitch correction isn't doing it, then I am not the right vocalist for your tune. It's that simple, and that's perfectly OKAY! :) I'd much rather be given the boot than have my vocals so mutilated that I become detached from the project altogether. With that, the question I have for the audio engineers out there is this... Do I need to immediately make this known prior to mixing? I feel like it would come across as offensive to those of you who understand the concept of the proper use of pitch correction. I certainly never want to offend anyone, but I also want to be very honest about this subject in particular because it is hands down the most reoccurring issue I have had during my short time here. Oh, and one other thing I have noticed... a few times, people have actually listened to my thoughts on the subject, but tend to limit actual vocal effects altogether, which end up not mixing well with the instrumental in many cases. I love vocal effects, and use all kinds, depending on the song. At the end of the day, the effect/s are added to my natural vocal and the notes are not changed. So, what would you all consider the most effective and respectful way to communicate these things, and when should this communication occur without offending anyone? I'm going for quick, blunt, and respectful. :) I really appreciate any insight or advice on this!!!
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"Basic Snare Damping Tutorial"
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YOU ARE THE ONE THAT MADE ME The lyric was inspired by my wife, Kit. Bobby Watson sent me a beautiful piano ballad that I set the words to. Philippe Pansard laid down yet another wonderful bass line. Alex Zulaika added the perfect drums. Tom Henry joined in and sang the vocal with incredible heart and soul and added a solo. And Tom Hellsten made us all sound great. We hope you like it!
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stoman / Steffen O 2 days ago
HATTY'S PASSING THROUGH Lyrics by Liam Butler This is a little folk/songwriter style melody draft I created for Liam's lyrics. We need some solidly performed, good sounding and well recorded replacements for the following artificial demo parts: - Drums (+ percussion) - Bass - Acoustic Guitar - Male Lead Vocals
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Red Bell Not sure where this one might go. Open for replacements and or additions. Lyric and vocal welcome. Or leaving it as an instrumental with some lead work, guitar, keyboard, synthesizer, etc.
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Hello, Beautifuls, I could really use someone with mixing talents to help with this bad boy. XO, Steph
cool .. but not quite as cool as you .i know... regardless heres some real deep lyrics i wrote its a love song thanks to my FRIENDLY koolaborators . credit to all these guys here on this one go check em out.. we got Maxdeago and PortlandKeyboards Mike and hobbit78 Pierre and me what a top crew man
This could be a picture of my possible future child, yet without the comment (for there are almost all of the Tool albums in my collection!)...
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njd3 / nick D 3 days ago
hello everyone, i've been trying to hone my skills, and decided it might be beneficial to seek some advice. i just mixed this one with my latest workflows. i realize it may be a lot to ask, since there's no reward other than hearing some of the fine musicians that are on this track. at any rate, any feedback is welcome. perhaps it'll be just what i need to get to the next level. thanks! i have remixed this track with considerably less compression..... the latest version is the one in the player on this page now. in fact (and my face is a little red here) i was using a compressor/limiter at the end of my mix buss chain that is usually set around -4db of gain reduction. i never thought to look at it, because it's usually just fine, but it was squashing at a whopping -24db of GR. that in itself was doing ridiculous things i'm sure, but i decided to move it out of the signal chain as it is designed to add loudness. i may end up putting it back in, but i'll probably try things without it for a while. original posted track is here: https://www.kompoz.com/music/collaboration/1211712/file/1226102/2
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YOU'VE GIVEN A VOICE TO THE MOUNTAINS--DANCE VERSION France had the awesome idea to do a dance version of this one and sang another gorgeous vocal and played the keyboard. Philippe and Brian added a wonderfully danceable bassline and drum part respectively. Brian also contributed keyboard synth, other sound FX, and mastered the song. We hope you like it!
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ColeKaos / Cole K 3 days ago
Epic Rant https://youtu.be/kPVkNVbkIUQ

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